A dominating theme of my work of the past few years focuses on illuminating the dialectic of obscuring things–which sometimes speaks to discomfort or hiding–and emerging things–which speaks to the process of enlightenment. I find this contradictory struggle an intriguing exploration for both individual and societal conflict.  As each work matures, socio-political shifts in the larger world, and our inability to know what will come of them, influence the visual ambiguity. As in all dynamic work experiences, the process of creating takes on a life of its own which in turn means different things to different people.  I welcome the advancement.

• In this body of mine