Zahra Babaei
Born from a material engagement with fabric and weaving, My Two Bodies sees textile as an archive of movement and bodily proximity, an object marked by its constant presence despite its performative disappearance. It has wrapped bodies as covers and clothes, and turned into curtains for space, as it stages a form of opening in the theatricality of the everyday. Within its wrap and weft, fabric holds movement in place and animates the space around. Though structurally unchanged, it takes the shape of whatever it covers yet does not fix what is hidden. In the vacuum of vision, material becomes the site where the invisible, ghostly,
camouflaged, hidden, and absent reside. My Two Bodies gestures toward this unmapped space of the everyday rituals, where objects bring their own intelligence to the surface of the image and recreate a discourse through an ocular touch.
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