MFA ’20 Fine Arts 2D
The visual languages that I often encode in my work include physical mapping, boundaries and rules of play, and elements of spatial distortion. I use this form of topological manipulation to construct visual spaces that are overloaded. Each work is created in contrast to the experience of true spaces. Through this relationship, these works assume their own form and expand upon a daily repetitious routine. Movements become fragmented where they were once continuous. These abstracted paths mimic blurred feelings and reflect a recognition that reality is interpreted through our own layer of perception.