Mariah Doren
Dean of Graduate, Professional and Continuing Education
This series of landscape images play with the idea of scale, value, and vantage point. Moving from warm to cool, macro to micro in order to re-see land around us that seems often unchanging and familiar.
I photograph places that have been manipulated and cultivated, probing the elusive ideal of the “natural.” Working in photographic layers, I reassemble and reimagine what might lie beneath the surface or what be seen — building locations from a collage of photographs, drawings, and printed material. These fragments are deliberately discontinuous and misscaled, so that the logic holding each image together depends not on documentary fact but on association, fantasy, and dreams.
At the same time, the physical surface of each work is deliberately sensuous: waxed, sewn, painted, printed upon. Construction operates in two directions at once — the image is collaged, and the landscape is handmade. Together they insist that landscape is never simply found. It is always already imagined, mediated, and remade.
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